攝影計劃，2023

Photography project, 2023

2023年，我留意到日本、韓國的Y2K風潮帶起「拍貼機」在台北遍地開花。我思考及「拍貼機」作為一種當代常見的攝影方式，除了娛樂媒體的行銷渲染，究竟還有怎麼樣魅力使其能在年輕世代廣受喜愛？

於是我在大三攝影課開啟這項計劃，以拍貼機空間作為想像起點，指令自己為期一個月內，每隔幾天就去拍貼機自拍，將其視為另類肖像來檢視並紀錄之。

In 2023, I noticed the resurgence of “purikura” (photo sticker booths) in Taipei, influenced by the Y2K trend from Japan and South Korea. This made me reflect on the appeal of these booths beyond their promotion through entertainment and social media—what is it about them that resonates so deeply with younger generations?

Thus, I used the photo booth space as a conceptual starting point. For one month, I set a rule for myself: to visit a purikura booth every few days and take self-portraits, treating them as an alternative form of portraiture—both a self-examination and a visual record of the process.

此計劃呈現分為三個部分：

This project is presented in three parts:

（一）限時限量的強迫拍攝 Time-limited, constrained photography

找一些在公共場域提供私人劇場般的空間，且成品影像具有時間連續性。

Seeking out public spaces that offer a private, theater-like experience, where the resulting images carry a sense of temporal continuity.